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These two concerns collide on Halloween, when Douglas witnesses a serial killer in a devil mask (Joshua Annex) posing his victims like outdoor All Hallow’s Eve displays. Nine-year-old Douglas Whooly (Alexander Brickel, PALINDROMES) is obsessed with the handheld video game “Satan’s Little Helper,” and annoyed that the attention of his big sister Jenna (Katheryn Winnick, TV’s VIKINGS and BIG SKY) is being distracted by her new boyfriend Alex (Stephen Graham). The synopsis for Satan’s Little Helper goes like this: If you haven’t seen this one yet, it is an absolute in terms of a lot fun. Especially because the entire film is set on Halloween and has one of the greatest and creepiest unexpected demon costumes ever. The entire setup is fantastic for the spooky season. Very gory, very knowing, and very funny.Satan’s Little Helper is something you have to rewatch every Halloween. Summary: With the exception of Jason X and New Nightmare, this is probably the best sequel in either franchise. Jason gives viewers something new to remember the pair of them by, and a knowing wink at the film’s end proves that neither one of these killers, or indeed their franchises, can ever truly die. For all Freddy’s anxieties about being forgotten, Freddy vs. Previous films have made it all too clear that no amount of slashing and burning is enough to keep these killers down, and so their clashes here set new standards in graphic dismemberment and splatter. There is the usual assortment of harried kids, hopeless cops, inadequate parents, creepy dream sequences and highly creative murders – but the fun really starts when our two unstoppable antiheroes start taking out all their aggression on each other. Thanks to an abundance of burn-scar make-up, Robert Englund seems ageless back in his old rôle as Freddy, and although his quips are poorly written, he still delivers them with malign relish. Soon Jason is making a killing there, with Freddy, as homeboy, getting all the credit and so regaining his stranglehold on the locals’ subconscious fears – but when Freddy starts seeing his own new bodycount being slashed by an overenthusiastic Jason, it becomes clear that neither Elm Street, nor the dreamworld, nor Crystal Lake, is big enough for the both of them – let alone for any hapless adolescents who should get in their way.ĭirector Ronny Yu, who has already shown with Bride of Chucky that he knows a thing or two about postmodern horror comedy sequels, is at the peak of his craft here, capturing the very different look and feel of both original series, and combining them into a new hybrid monster. So he enters Jason’s dreams (about skewering a naked girl at Crystal Lake, naturally) disguised as his beloved mother, and orders Jason to rise up from Hell and go to Elm Street. At its beginning, Freddy is festering away in his dream world, unable to haunt the next generation of teenagers in their nightmares because he, like his films, has become a forgotten chapter in the history of horror. Jason is an ingeniously plotted cross-over sequel which dramatises the rivalry between these two horror franchises while bringing them both some new blood. Ever since, the two have always been deadly rivals at the box office – and while at first it seemed that the new kid on the block had stolen the Slaughter King’s crown, somewhere along the way Freddy got left behind, with his seventh and final outing, New Nightmare, coming out as long ago as 1994, whereas the hockey-mask and machete formula was still going strong in 2001 in Jason X, sending Jason into space and showing that he has a very long future ahead of him (it’s set in the year 2455).įreddy vs. Four years later Freddy Krueger appeared on Elm Street, invading teenagers’ dreams with his sharp one-liners and even sharper clawed glove. Jason Voorhees has been silently slicing and dicing teens at Crystal Lake since one Friday the 13th in 1980.